Download Christian Horror: On the Compatibility of a Biblical by Mike Duran PDF

By Mike Duran

To so much, the time period “Christian horror” most likely appears like an oxymoron. however, there are first-class arguments to be made that “horror” is an eminently biblical style and that Christian artists will be on the vanguard of reclaiming it. during this paintings, novelist Mike Duran explores the Judeo-Christian roots of latest horror, the spiritual issues that body a lot of the horror artwork, and the way evangelical tradition has come to distance itself from the sort of probably wealthy and robust medium. Duran appears to be like at Christian artists and authors whose works hire the macabre and gruesome. From surrealist Hieronymus Bosch to Southern Gothicist Flannery O'Connor to the grasp of horror Stephen King, we will be able to hint a noticeably biblical worldview that frames their visions of terror. alongside the way in which, Duran solutions objections whereas constructing an apologetic, now not for a brand new sub-genre, yet for a rethinking of the explanations that "Christian horror" has grow to be considered as such an oxymoron.

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Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre

To so much, the time period “Christian horror” most likely appears like an oxymoron. however, there are excellent arguments to be made that “horror” is an eminently biblical style and that Christian artists could be on the vanguard of reclaiming it. during this paintings, novelist Mike Duran explores the Judeo-Christian roots of latest horror, the spiritual topics that body a lot of the horror artwork, and the way evangelical tradition has come to distance itself from one of these very likely wealthy and strong medium.

Additional resources for Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre

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Religious themes occur so often in horror because horror themes occur so often in religion. So how is it that evangelicals have drifted so far from the genre of horror? Why do Christian artists, filmmakers, writers and readers appeal to “family friendly” fare and avoid associating themselves with the genres of horror and the grotesque? This is the question I’ll be attempting to answer in the next chapter. III. Evangelical Culture and the Horror Genre MY FIRST PUBLISHED NOVEL, THE RESURRECTION (Charisma House 2011), contained a character I named Mr.

As for me, I am not worthy in His sight. Alas! ” [13] Stoker’s Dracula brims with explicit Christian content and a biblical worldview. Unlike many trends in contemporary vampire mystique, Stoker’s vampire is not glorified, romanticized, or portrayed as anything but a vile, hellish being, the spawn of Satan, a creature cursed and damned. Dracula is the antithesis of a resurrected saint. Even more fascinating, Stoker’s Dracula contains a possibly redemptive resolution. As Mina plummets toward Darkness, her husband Jonathan vows to kill the vampire, staking it through the heart and sending it to hell.

The film Jacob’s Ladder (1990) is one man’s surreal journey from hell to heaven involving angels, demons, and assorted grotesqueries. The movie Frailty (2002) is about a father who claims to have had a vision from God that instructs him and his sons to seek and destroy demons from a list of names provided by an angel. Event Horizon (1997), though often classified as science fiction, conceives a starship that opens a dimensional gateway to hell, turning its crew insane in the process. In fact, the concepts of heaven and hell, angels and demons, have now come to be considered basic tropes in many horror stories.

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